#OscarsSoWhite Misses the Mark

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Gotta say, I just can’t get behind the #OscarsSoWhite thing. For a few main reasons:

First, it’s a bad use of statistics. Year to year, in a profession which is still overwhelmingly comprised of white actors, and hundreds of performances are considered for a handful of awards, there is a fairly good chance that a person of color wouldn’t be nominated even if they were randomly selected. Saying that the Academy is “regressing” without statistical rigor is really just another form of shallow horse-race politics.

Second, the focus on the race of Oscar nominees is a bad proxy fight for larger diversity issues in our storytelling entertainment. As noted above, its methodology of diagnosis is suspect – as a result, its proponents seem disingenuous to the unpersuaded, and lose credibility as a result. Why are we focusing on Oscar nominations? Other advocates such as the Ralph J. Bunche Center for African American Studies at UCLA have done such great work looking at diversity in Hollywood that doesn’t rely on weak, click-baity analysis.

Third, clamoring for merely greater minority representation in media ignores the fact that the quality of that representation also matters. Hattie McDaniel may have made history by being the first black woman to win an Oscar, but she also won it playing “Mammy” in Gone with the Wind.” Octavia Spencer was amazing in The Help (and won an Oscar for it in 2011), but ultimately she was still playing “the help”. For a long time now, advocates for actors of color have been pushing not just for more roles but better roles, where minority actors aren’t simply playing stereotypes, even when they win awards for it. Focusing on having more Oscar nominations neglects this critical part of the conversation.

Fourth and finally, the #oscarssowhite focus ignores the fact that nearly every Best Picture nominee this year centers on liberal-associated issues and cultural tropes. Let’s go through the list, shall we?

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